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Mr. Dilip Kumar Maite is one of the earliest collectors of artifacts from the Chandraketugarh site. His collection, officially refered to as the Chandraketugarh Pratna Sangrahalaya, is located in his residential house, on the Taki Road only about 30 meters from the Berachampa's More. He pointed out the peculiarity of the site in that the ancient city is "still" buried under the ground and due to the lack of any permanently excavated area, visitors do not see anything memorable. Reflecting Asad-uj Jaman's sentiment, he mentioned that a local museum is much needed for proper collection and preservation of the artifacts, as well as for the awareness of the public. With a bitter smile, he however let it out that his efforts towards this goal for the last few decades haven't met with any success, largely due to organizational apathy. |
My addition:
Khana-Mihirer Dhipi
is the only permanently excavated site for visitors
in the Chandraketugarh area, but the lack of any locally available information
makes it rather an unrewarding experience for an uninitiated visitor. I am not
thinking of anything fancy, even a simple information leaflet made available to the
visitors at the site will be very helpful. The notice board of the ASI only mentions
the law sub-class which enforces the Protected Area status of the site, and
doesn't say anything about its history. I have noticed the same thing at several
monuments in Delhi. So,
if you don't come ready with the history of the site, you are not going to
find it out there.
Mr. Maite has written the following books on Chandraketugarh, each
including local mythological
stories and the archeological wealth of the area. All the books
are in Bengali.
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Fragment Terracotta |
Fragment Terracotta, two birds |
Fragment Terracotta, elephant, many people |
Rattle |
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Terracotta head |
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Buddha |
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Shree, the goddess of wealth and fortune |
Head of ram |
Yaksha? Ferocious face |
Head in terracotta fragment |
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Beautiful woman with flowing hair |
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Circular pattern, significance? |
Earthen pottery |
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Earthen pottery |
Female figure with asymmetrical headgear and a feather attached to it |
Mithuna scene |
Mithuna scene |
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Mithuna scene |
Mithuna scene |
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Ambarish Goswami
Last Revised July 4, 2004